Ashirwad comes with over a decade of experience as a Colorist and has graded over 150 films in the lab as an Analyzer Colorist and over 80 films as a DI Colorist. Some of his biggest Bollywood projects include Murder 2, No One Killed Jessica, F.A.L.T.U, Parineeta, Chameli, Taare Zameen Par, Jab we Met, Rab ne Banadi Jodi, Kanchivaram, Blue and Love Aaj Kal. He has also worked on many short films for the Film and Television Institute of India, including highly acclaimed projects like Chaabiwali Pocket watch which won the Kodak Asia-Pacific Award for Best Short Film & Cinematography and Girini which won the National Award for Best Cinematography.

Prior to joining Prime Focus, Ashirwad was working with Adlabs Films Ltd. He holds a Bachelor of Science Degree and a post-graduate diploma in Computer Technology.

S Manoj’s career as a colorist started with the first Digital Intermediate (DI) project in India for Harry Baweja’sQayamatin 2003 at Prime Focus. Following this were a series of blockbusters like Shaitan, Tees Mar Khan, Guru, Om Shanti Om, Chak de India, Jodha Akbar and Black, to name but a few.

In his capacity as a Colorist, he has been a part of over 100 optical and DI for over 75 feature films. With over 18 years of experience and having worked with the top cinematographers and filmmakers, today S Manoj is one of the most sought after colorists in India. S Manoj has also worked as an editor in the past wherein he has successfully delivered numerous TV soaps, ad films and music videos.

Rodney is an extremely talented and experienced Senior Creative with our advertising post team. However, what many don’t know is that he once ran his own restaurant and would’ve potentially been a flight attendant if it wasn’t for a friend introducing him to the world of post-production. 

A favorite amongst some of India’s largest advertising agencies, Rodney has been responsible for the successful completion of a number of significant campaigns. His credits include commercials for Coca Cola, Pepsi, Dove, Fair & Lovely, Ponds, Cadbury, Hyundai, and Bajaj Pulsar among several others. Rodney has also contributed to many notable projects which have won awards such as Abby, Cannes and Ad Fest Asia Pacific.

Starting his career at Prime Focus, Rodney is a powerhouse of talent, creativity and dedication, and has great team relations, excellent management and communication skills and over 15 years of experience behind him.

Amit Mishra comes with a total experience of more than 8 years. He is a skilled film colorist and has worked on high quality commercials, music videos, web series and feature films. He is an expert in Baselight & Reslove machines. After finishing his BA from Delhi university, Amit pursued his dream to learn the techniques of editing and color grading by doing multiple courses to enhance his knowledge in the industry.

Amit has worked with various top post production houses in India, Dubai and Australia. He has worked with UTV Motion Picture, Disney, Zaiy Media, Filmlyok Media and many more. Some of his projects worked on are TVC - Asus, Myntra | Music Videov - JazzyB, Garman Gun, Amrit maan | Film - Chaar Cup , Keeppunch , Koun Kuon Hain, Pachies |Web Series – Alisha, Wrong Number, basement Company, Galti Se mistake, Love and date, lockdown main breakdown.

Amit has joined the Khar Division at Prime Focus Limited as the Sr Colorist

Sumanth started his career two decades ago in the post-production industry with Western Outdoor as an online artist. Having worked for more than 8 years with Western Outdoor with all the leading ad film directors, he decided to move on to join Pixion Studio as a Senior Quantel Artist. 

He was instrumental in delivering high-end compositing projects and also managed to win a Cannes – Silver. He later moved on to join Prime Focus and served many top production houses like Equinox, QED, Breathless, 120 Media Collective and many more. His major brands include Volkswagen, Titan, Cadbury, Airtel and Nestle. Before starting his career he was a passionate photographer which led him to this industry. 

Not wanting to get involved in his family’s business enterprise, Harmeet aka ‘Sunny’ began ‘hanging out’ at the Prime Focus office, and soon grew to become a professional Colorist. 

Since then, Sunny has graded over 300 ad films, numerous music videos and over 75 movies including Bollywood blockbusters Partner, Chalo Dilli, Patiala House, Race, Mangal Pandey: The Rising, Chandni Chowk to China, Bachna-ae-Haseeno, Musafir and Salaam-e-Ishq. He also holds the distinction of being one of the first artists in India to have graded a feature film on the Lustre® color grading software.

Sunny has worked on a diverse range of commercials for brands such as Sony, Cadbury, Coca Cola, Maggi, Airtel, Ford, Lux, Fair and Lovely, Sunsilk, LG, Nestle, Kellogg’s, HP, Maruti, Electrolux, Maruti Suzuki and Nescafe to name a few.

Xavier started his career with Prime Focus as an Editor in 2003. After working on TV commercials and music videos, he soon moved on to title sequences and digital film packaging for big banner film projects like Bhoolbhulaya, Golmaal, Welcome, De Dana Dan, Quick Gun Murugun and Shakti, to name a few. In his capacity as an editor, he has also worked on various movie trailers for films including Pyaarke Side Effects, Race and Babul.

In 2008, he progressed to grading full length feature films. Apart from Bollywood movies like My Name is Anthony Gonsalves and Ektho Chance, he also had the opportunity to work on various regional films like Jalsa (Telugu), John Apparao (Telugu) and Mansare(Kannada).

Xavier holds a Diploma in Hardware Engineering from the Government Institute of Polytechnic and has completed a photography course from St. Xavier’s Institute, Mumbai.

Anastasia Chervonna, born and brought up in Ukraine, she graduated from Kiev National University of Culture and Arts in Cinematography. On acquiring expertise in working for television, learning the tricks of the trade with her engagement in various reality shows, documentary films, and diverse projects of versatile genres her work exhibits the essence of the content created.

Her colorist endeavors include working for Ukrainian Singer Jamala, Spanish artist Fusa Nocta's music video, Cloudless, Sôra, Sergio Palau, INGRET, Art Demur, Parimatch, ABUSH, SweetTV, Producciones Itac, Cast, European Esports Club, etc.

Her grasp of composition, light, and camera specifics allows her to easily correct imperfections and complete a shot.

Andreas does not need much of an introduction.

He started in India in 2017 and in no time made himself a name in the movie and OTT field.

He was responsible for the international looks of: Paatal lok, Sacred Games 2, Delhi Crime 2, The Family Man, Mumbai Diaries, Shakuntala Devi, Choked, Breathe, Raat Akeli Hai, Lady of heaven and many more. Andreas is a technology pioneer who introduced the ACES standard to the Asian market and was the first to work on HDR Dolby Vision projects in India.

He also consulted production companies and OTT platforms with his unique skill set of visual direction in planning and execution of their projects.

Andreas: “DoPs have really so much on their shoulders. I try to support wherever I can. It starts with the discussing ideas for the looks according to the script, then developing the show-luts on set incl. a solid dailies process and of course the finishing process. I rather work hard in pre-production than in post production”.

An abundance of creativity and enthusiasm, the introverted Vivian started his career as an animator and compositor, moving on to becoming one of the best Online Artists in the industry, best known for churning out widely appreciated work in record time. 

A black belt in Shorin Ryu Karate, Vivian has worked on commercials for brand such as Adidas, MTV, Edelweiss, Fevicol, Nokia, Reliance, Toyota, Garnier, Lux, Sunsilk and Hindustan Times, as well as title sequences for movies including Tasveer 8x11, Kurbaan, Guzaarish, Saawariya, Ghajini, Omkara and Lage Raho Munna Bhai.

Extremely inquisitive about technology, Vivian is always eager to try different things and has over 500 commercials as well various title sequences and music videos to his credit.

Initially a commerce graduate, Ankit steered towards Editing as a more satisfying option.

Also a fitness freak, Ankit has worked on the Aerostat visuals for the Commonwealth Games 2010, and was responsible for the tedious task of editing the awe-inspiring DLF IPL series in real time. He also created packages including 'Super 4s', 'Super 6s', 'Fall of Wickets', 'Post-match Presentation' and 'Press Conferences' for the series for multi-platform distribution – Mobile, TV, the BCCI online channel and YouTube.

Ankit has also worked on numerous commercials for various brands including Panasonic, Oreo, Park Avenue, Layer’r Shot Deodorant, Toyota, Honda, Maruti, Coca Cola, Hotstar, IPL, Ballantine’s and many more. He has also worked on the most talked about Indian TV series 24.

While maintaining a strict, no nonsense demeanor, Ankit uses encouragement and positivity as his core techniques.

Renuka started her career in Prime Focus as a trainee in the advertising division. She soon moved up the ladder and today is an online artist. 

Renuka has worked with some of the biggest advertising production houses like Ramesh Deo Production, Rising Sun Films Production, MAD Studios, Storyteller Productions and Early Man Films to name a few. She has worked on commercials for brands like Birla Sun Life Insurance, Tanshiq, Olx.com, Docomo and iBall among many others. In addition, she was actively involved in Anil Kapoor’s TV series 24 (Season 1) and award winning commercial Mumbai Mirror. Renuka has worked on couple of title sequences and promos for films like Kick, Cocktail, Lekar Hum Deewana Dil, Finding Fanny and Madras Café. 

Renuka holds a  Master in Digital Compositing and VFX degree from University of Westminster (London) and excels in software like Smoke and Nuke.

Arvin joined Prime Focus in 2016 and since then has been an integral part of the offline creative team. Having experience of over 15 years in the industry, he specializes in story telling formats like drama, humour, montage edits. His major work is for FMCG, Hair & beauty & Automobile Industry. His skill sets help convey the story to the masses in an effective way.